Cal Doyle

Samuel Beckett. When? Where? Photographer? Unfortunately, I do not know.

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photos by klaus echle, a forest ranger in germany’s black forest who came to gain the trust of this young female red fox. but after six months, at the start of the mating season, she disappeared. “i still miss seeing her,” he said. 

(via urlaith)

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Pre-Code Hollywood refers to the era in the American film industry between the introduction of sound in the late 1920s and the enforcement of the Motion Picture Production Code (usually labeled, albeit inaccurately after 1934, as the “Hays Code”) censorship guidelines. Although the Code was adopted in 1930, oversight was poor and it did not become rigorously enforced until July 1, 1934. Before that date, movie content was restricted more by local laws, negotiations between the Studio Relations Committee (SRC) and the major studios, and popular opinion than strict adherence to the Hays Code, which was often ignored by Hollywood filmmakers.

As a result, films in the late 1920s and early 1930s included sexual innuendo, miscegenation, profanity, illegal drug use, promiscuity, prostitution, infidelity, abortion, intense violence and homosexuality.

(Source: missavagardner, via filmsploitation)

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Anthony Pappalardo, 50-50, NYC (presumably). I don’t know who shot it. He’s always one of the most interesting skateboarders around in his approach to what can and cannot potentially be skated; his choice of obstacles imply a rare intelligence in terms of reading urban space and adapting to it. (You could quite easily piece together a PhD on the reclamation and recontextualisation of “public space” via street skateboarding … or not … )

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